YESS Lad: Venture Arts

Barry Anthony Finan defines himself as a writer, actor and artist, producing bold, text based drawings and ceramics. His unique style of ‘WRRIGHHTINNGSERRSS’ incorporates repetitive letters and phrases that speak of personal histories, reflections, and ambitions.

The title of the show, YESS LAD, is a repeated refrain in his work and comes partly from his father telling him, ‘Yes lad, you can do it.’

During lockdown, Venture Arts sent Barry unfired porcelain postcards to write on to keep his communications flowing to the outside world. Often addressed to people he missed, such as the Venture Arts volunteers, he also wrote about programmes like Coronation Street and actresses such as Maureen Lipman.

Much of Horace Lindezey’s work depicts the people and world around him. On show are his wonderfully irreverent series of ceramic blue plaques, emblazoned with figures important and famous in his life, both real and fictional, from actors and characters, like Dot Cotton and Stan Butler, to Jamaican trumpet player, John Dizzy Moore.

Horace has a passion for dates and music, and combining this with a nostalgia for watching programmes from his childhood, his blue plaques are a unique insight into how he remembers people and what he sees as historic moments.

When Leslie Thompson was a child, his mother would take him to Afflecks Palace in Manchester, where there was a model shop he loved to buy wrestling figures from.

Leslie here has created My New Favourite Shop in the gallery, with his own small action figure heroes, including one of himself, presented in limited edition packs accompanied by his drawings and writings about each character.

Some are tributes to real people, his mother, father and brothers, and people he admires, such as an old teacher, whilst some are wild animals and others are famous stars such as Donna Summer, Mr T, Hulk Hogan and Burt Reynolds.

At 79 years old, Violet is the oldest artist working with Venture Arts, and this is the second presentation of her abstract painting works. She has historically worked more in textiles, with a piece being exhibited at The Whitworth in 2022 as part of A Modest Show (the collateral programme to British Art Show 9).

As her eyesight has deteriorated, she prefers to work more intuitively with paint and colour. The development of her work has resulted in this freely expressive style that uses layering of colour and texture to great effect.

Jennie Franklin’s drawings appear like an energetic stream of consciousness. She picks and chooses imagery and text from various sources, which she combines to create her own intuitive compositions.

Leaflets, flyers, posters and other printed material serve as source material. Familiar children’s characters often appear as her pen drawings on small wooden tiles, including Mr Blobby, Winnie the Pooh and Rupert the Bear.

She also sometimes includes self-portraits, depicting her own emotions.

The inimitable Dominic Bennett used lockdown as a call to arms to increase the size of his Weasel Army, inspired by Anthony Gormley’s terracotta figures and his own obsession with the weasels in The Wind In The Willows.

Since 2018, Dominic has amassed 189 terracotta weasels, made both by himself and by people of all ages who he delivered workshops to and who were sent weasel-making packages during lockdown.

He is the self-styled ‘Chief Weasel’ and has developed his own story with the weasels as the focus, hoping to cause an intervention against leaders like Boris Johnson and Donald Trump.

A form of protest art, he has also produced porcelain and glazed Blood Milk cartons emblazoned with Audrey 2 from The Little Shop of Horrors.

Ahmed Mohammed has a compulsion to draw, which involves a cyclical gestural drawing process.

Since attending Venture Arts, he has discovered his artistic identity and developed a creative practice which spans textile art, printing, ceramics, drawing, photography and multimedia.

Working in a purely abstract way, in his large-scale works, he has used oil sticks to intuitively create expressive expanses of colour and form. In his printmaking pieces, he creates bright blocks of colours that he gives titles such as Chicken Drumstick, Chicken Burger or Ice Cream and Spoon.

All of his work incorporates bold and assertive mark-making in a spectrum of colours.

Terry Williams has been creating artwork about his life and the world around him since 1990. Working in ceramics, photography, drawing and painting, his work often represents everyday life in and around Manchester.

Chance observations from daily outings, Terry’s direct environment and the objects and people around him are documented in his photographs and paintings with an element of quirky humour, but they give a real sense of his time and place in the world.

During lockdown, Venture Arts sent Terry disposable cameras to take photographs of his home environment and converted them to iPad drawings, which are accompanied by his hand-written observations.