Graduate Micro Commissions

In response to the pandemic, the National Festival of Making launched an open call to commission three recent creative degree graduates from any Lancashire-based university.

The commissions sought to ensure those graduating during the pandemic had the opportunity to be funded and make new work during a period of significant global change. Selected graduates were invited to produce new work responding to the festival themes and receive mentoring from industry professionals.

Daniel Nelson of University of Lancashire (BA Illustration), Ellie Barrett of Lancaster University (PhD Contemporary Sculpture), and Christian Bell of Blackburn College (BA Fine Art) exhibited their work in Blackburn town centre in 2021.

My Generation

Reflecting on social and cultural activity past and present, My Generation was a research-based project exploring the manifestation of youth culture.

Artist Christian Bell undertook a collaborative approach to research with a group of students from Blackburn College. Together they shared and observed local contemporary youth cultures, exploring how subculture trends are being pulled from past, present and future into the all consuming screen of the smartphone.

The commission resulted in a series of interventions that took place on the digital screen in Blackburn town centre, disrupting and hacking the everyday purpose of the information board, as well as a zine, featuring an essay exploring youth culture.

A Map of Lancashire Folklore

Research into Lancashire’s history led to an exploration of its folklore, culminating in a series of illustrations depicting the region’s boggarts, devils, mermaids and more.

Illustrator Daniel Nelson created a detailed map of locations rumoured to be the home of his series of mythical creatures. Accompanying the map were written descriptions of their stories; from the Blackburn Boggart, who a judge declared had been breaking windows in the town, to the Giant Cat who moved the foundations of a church in Whittle-le-Woods, causing the townspeople to rebuild it where the cat so obviously wanted it to be.

You can read the stories below.

Folklore Stories

Yealand Dragon

An enormous serpent dragon was said to have lived at Hawes Tarn – it would coil itself around the nearby Buck Stone where it would hide and eat sheep, swallowing them whole. One rumour said that the dragon had been following a dragon slayer named Roger De Conyers, who had acquired the land. Perhaps the dragon had followed the dragon slayer to enact revenge?

Devil’s Greatstone

Big rocks and stones are usually tied to the devil as a way to explain how a random rock got to a place, the Great Stone of Fourstones in Tatham Fells is no exception. Supposedly this rock was dropped by the devil while he was on his way to build the devil’s bridge in Kirkby Lonsdale.

Gubberford Boggart

During the English Civil War, a soldier killed his estranged wife at Gubberford Bridge. It is said, in years after, that a cloaked woman would stand at the bridge looking for a lift from people on horseback passing by. Only when on the horse would she reveal herself to the rider, showing that she was nothing more than a skeleton.

Fairy Funeral

Fairy funerals are a piece of folklore told across the North; it is said whoever witnessed a fairy funeral procession would be doomed. Near St. Mary’s Church in Penwortham, two men who were walking together at night came across one. They hid, however one of the men jumped out when he saw the corpse was of himself. His fate was now sealed, and he died one month later.

Blackburn Boggart

Windows were being broken in Blackburn town. A man was accused of vandalism after he was seen by a police officer picking up a rock that had been thrown at a smashed window. At the court hearing, it was concluded he could not have been the vandal because his own windows had been broken. The judge, with no other leads, declared the windows must have been broken by a mischievous Boggart.

Burscough Mermaid

There is a story of a child-stealing mermaid that comes from Burscough. This mermaid was said to live in Martin Mere. She stole a child and allowed it to be fostered by a captain. The real father of the child found out that the Captain had possession of his son and captured him. The father, enraged, was said to have shot at the Captain, however the mermaid saved him.

Necromancer

Edward Stanley built Hornby Castle. He was a well known atheist, a cardinal sin at the time. At night, townspeople reported seeing lights at the tower of the castle where it was believed Edward was performing ungodly rites. It was believed he murdered his brother so he could marry his widow to take her riches. 

Irish Sea Monster

During WWII, German sailors were captured by the British Navy, who found them stranded in the Irish Sea. Upon questioning them, the German sailors claimed they were the crew of a submarine which was lurking in the Irish Sea. They said that their submarine had been sunk by a giant sea monster with great eyes and large teeth.

Kilgrimel

A small settlement was believed to have been located between Blackpool and Lytham. In the 16th Century, the settlement disappeared – supposedly it had been swept away by the sea. Legend has it that, on New Year’s Eve, you can still hear the toll of the church bell.

Devil’s Bath

Up in the moors of Bacup, there is a pile of boulders known as Hell Clough. Somewhere around here, there was once a pool of water in which the devil used to bathe. One day there was a storm, which overfilled the pool so much that the edge was about to give way under the weight. The devil, not wanting to lose his favourite bathing spot, constructed a dam of boulders to protect the pool.

Giant Cat

The people of the town of Whittle-le-Woods set out to build a new church. However, every night, the foundations of the church were moved to a farmer’s field in Leyland. The townsfolk decided to keep a Nightwatch and, in the morning, the guards reported that a giant cat had been moving them. Taking this as an omen, the town decided to build the church where the cat had been placing the foundations.

Personal Histories

Salt dough versions of Lancashire plinths held sculptures made by the people of Lancashire in ‘Personal Histories’.

Sculptor and researcher, Ellie Barrett, invited residents of Lancashire to attend digital workshops and to choose a subject from their homes that captured their lockdown experience. Participants recreated these as salt dough sculptures, re-imagining the possibilities of materials we have in our homes.

The sculptures were displayed on plinths made by the artist, exploring the symbol of social hierarchy and the idea of making our own history with the materials we have access to.

Head to our Downloads page to watch Ellie’s salt dough tutorial.

Artists

Christian Bell

Christian Bell is a research-led multi-disciplinary artist and a 2020 graduate of the BA Fine Art (Hons) at Blackburn University Centre. Through his own personal interrogation of socially engaged and place-based research, Christian has developed a collaborative approach to delivering interventionist contemporary artworks.

Daniel Nelson

Daniel (Nelson Illustrates) is a narrative driven illustrator from Greater Manchester with a passion for history and folklore. Graduating in 2020, he developed his strong style in the final year of his degree, using garish colours, patterns and empty space to tell stories. Daniel was the Winner of D&AD ‘One to Watch’ at the 2020 New Blood Festival through his development of a campaign to market Audible in cities.

Ellie Barrett

Ellie Barrett is a sculptor and researcher exploring how using different materials creatively can help us understand ourselves and the world we share. She is constantly drawn to materials we are all familiar with. Bin bags, cling film, bubble wrap and kitchen towels are just some of the things she has used, and she believes innovating with accessible materials is a way of engaging audiences and opening up new ways of thinking.

It’s one of the most positive experiences I’ve ever had working with an organisation. I really feel like my values are reflected and my ideas were supported.

Ellie Barrett, Graduate Artist

I am interested in the methodological process of socially engaged practice and strive to achieve a level of robust and meaningful engagement with those I work with.

Christian Bell, Graduate Artist

Photography by Festival team and Lee Smillie